Kunci: G major
Verse 1
B
G#m
Sweet thing,
C#m
you're dead now
You're dead
F#
Yeah
B
G#m
You're out cold, but live on, now
C#m
Now at Christmastime,
F#
B
G#m
an d the whole year round
Right on?
C#m
Right on
F#
Look here, sweet thing,
B
let me explain myself, baby
G#m
C#m
When I say you're dead,
F#
I- I mean, you know
B
I mean, I mean you're really out of sight
G#m
C#m
Out of sight, totally together
F#
But you, you let me down now
B
You didn't even defend yourself
G#m
You didn't defend yourself
C#m
Nor me
F#
B
And you left me like, like...
G#m
Oh, no, I can't say this on record,
C#m
F#
but I'm gonna try to write
F#m
F#
This little old letter and,
B
and let you dig my little old rap
G#m
It starts like this
Listen to it
C#m
For what it's worth, for what it
F#
B
Could mean to you and I both later on
G#m
Dear Sweet Thing, Fox,
C#m
F#m
all the beautiful things
F#
B
All the little names that I give you
G#m
I sit here so aggravated and bewildered
C#m
because
F#
You didn't, you know,
F#m
F#
you didn't come home
B
You didn't come straight
G#m
back to me last night
C#m
F#
No fussing, no fighting, no nothing
B
G#m
You just up and split
C#m
with another cat
F#
Of course, I found out later he was your friend,
B
but uh...
G#m
And this much this morning I was able,
I was able
C#m
F#
To understand that, after a very hectic night
B
G#m
You can dig the night was long
C#m
F#
Now, I made it clear as possible,
B
as possibly I could say it
G#m
C#m
Baby, don't go to strangers
F#
B
Come on home to me
G#m
Now, it's true, it's true,
C#m
this is a man's world
F#
B
But it wouldn't be nothing
G#m
C#m
without your kind that I
F#
See now after 24 hours of suffering,
B
G#m
C#m
tears, cold sweat
F#
B
Why does my girl always have to be the
G#m
One to go south and go away
C#m
from me?
F#
And leave me stringing on a tree,
dangling on a string
That's all right
B
I'm gonna be there when you come back
G#m
But I'm gonna give you this little old rap
C#m
So you can get this together,
F#
you know?
B
Since you don't, you know,
smoke it in a pipe
G#m
C#m
Just to chew it but understand
what I'm saying
F#
I want you to know where I'm coming
from now
B
Like, I have a right, you know,
G#m
to like, come on with this old
C#m
Aggravated or, or, uh,
F#
antagonizing rap because I feel a little down
B
But I think you're gonna make it all
G#m
Right 'cause you just together that way
C#m
Now, baby,
F#
can't you be conscious of like
B
Every moment in the day and the night?
G#m
C#m
And let all of our moods be for each other together,
F#
you know?
B
And completely out of sight,
G#m
completely out of sight in every way
C#m
How can I explain it when we
F#
live and
B
Concentrate on being healthy
G#m
100% in mellow tone?
C#m
F#
However, yes,
B
I know sometime that you aren't mellow, but
G#m
You know, uh, deep down inside
C#m
I know you mellow people
F#
B
Well, at least not as mellow as I
hope you would be sometime
G#m
But you know how to do something
C#m
about that too
'Cause you just too good
F#
B
to be anything but you
G#m
Now, I'm still, I'm still willing to,
C#m
F#
to help for, for...
B
Let's say help each other and
G#m
I don't care what it take
Even if we have to sleep in a tent
C#m
as long as I know that
F#
We are close together and that vibrations,
B
uh, from
G#m
Your love and affection and the warmth
C#m
F#
of you is there
B
G#m
Can't you see that this opportunity
C#m
F#
B
comes once in a lifetime?
G#m
Sometimes I wanna know why you
C#m
living on past time
F#
Past time things right before your eyes,
you know?
B
G#m
Mm
C#m
Well, and sometimes it just seem it's
F#
impossible for you to see
B
You're, you're not blind,
you know?
G#m
You're just hardheaded,
stubborn, but that's all right
C#m
Those are the sweet things
that makes you you
F#
And I wouldn't take nobody
B
else but you
G#m
C#m
F#
B
You let my flame go out last night
G#m
C#m
You let my flame go out
F#
You know?
B
I, I don't expect like for you
just to, you can sleep
G#m
James Brown or you can sleep your man,
but uh
C#m
Since I'm your man,
F#
you can even sleep me, James Brown
You know?
'Cause that's who we're talking
B
about
We're not talking about John
G#m
Doe or maybe
Johnny Terry or somebody,
C#m
or Bobby Byrd
F#
We're talking about me and you,
B
or you and
G#m
I if you want to be, you
know, correct
C#m
But I think just saying me and you makes it close,
you know?
F#
I can feel you that way
B
That's all right
Just take your time
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AkorB G#m C#m F# F#m
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