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Come On In My Kitchen akor oleh
John Sinclair
John Sinclair

N/A•
Verse 1
D
C
Am
A
G
D
G

D
G
A
G

You better come on
A

In my kitchen
G
A
G
D
A

It's going to be raining
G
D
C
G
D
G

outdoors
A
D
G
D

Like anyone for whom
G

the road becomes home,
D
G

Peter Goronik points out,
D

Robert Johnson established
G

safe harbors

everywhere he went,

links within the community
D

which he could put down an
G
D

d pick up again
G
A

when he returned in a month or a year.
G
C

In Helena, he established a relationship
D
G

with Robert Lockwood's mother,
A
D

probably 15 years older than he,
G

which was evidently as stable
D
G

over a long period of time
D

as any on which he embarked.
G

There was also Raoul Walter Horton's

And in West Memphis,

Johnson and Johnny Shine's
D

cousin, Kevin Fraser,
G

stayed at the Hunt Hotel
D
A

where Robert took up with

a female midget
G
D
G

who ran errands for the three blues men.
A

In Friars Point,
D
A
D

there was a runty little girl named Betty.
G
D

In every town in which they stopped,

G
A

there was someone to take care
D

of
G

Johnson, a woman,

not necessarily a glamour girl,
D
G
D

but someone who would look after him.
G
D
A

Better come on in my kitchen,
D
A

it's going to be raining our
D
G
D
Asus4
G

dogs.
D

Women to Robert,
G

Johnny Shines has written,
D
G
D

were like motel or hotel rooms,
G

even if he used them repeatedly.

He left them where he found

them.
D

Heaven helped him.

He was not discriminated.
G
D
A

Probably a lot like Christ.
G

He loved them all.
D

He preferred older women in their 30s
G
D
G

over the younger ones
A
G
D
G

be cause the older ones would pay
D

his way.
G
D
G

Mack McCormick discovered at least half a dozen
Bm
D
G

women involved in two - three -week relationships

in the eight years following his first
D

wife's death.
G

By McCormick's account,

they were shy young girls
A

for the most part.
G

Similar to the older women
D

whom Shines describes,
G
D
A

in one respect they provided
D

food and shelter

We're a footloose musician

and we're not considered
A
D
G

the most desirable or attractive
D
A
D

catches in the community.
G
D
G
A

You better come on in my kitchen.
D
A

It's going to be raining
D
G
D
A

outdoors.
D
A
B
D
G

Johnson had a very un usual reputation.
D

He was not crude, but he was direct.
G

He would simply ask them,

Can I go home with you?
D

Can I be with you?
G
D

These were young girls
A

living with their families
G

in a rural situation
D
G
D

and for the most part their
G
D

answer was yes.
G
A
D

The relationship ended when
B
G

their husband came home,
D
G
D

or her Johnson moved on.
G
D

G
D
G
A
G

You'd come on, in my kitchen.
D
A

It's going to be rainin' outside.
D
C
G
D
G
Asus4
D

Women
G
Bm
D

with whom he stayed
G
D
G
D

de scribed to Mac McCormick how they would wake up in
A
G

the middle of the night to discover him fingering the guitar strings
D

almost soundlessly
G
D
A

at the window by the light of the moon.
G

He was a guy, Johnny Shine said,
D

that could find a way to make a song
G
C
G
D
G
A

sound good with a slide,
G
D

regardless of its contents

or nature.

His guitars seemed to talk, repeat,

and say words with them
G

like no one else in the world could.
D

The sound affected most women
G
D

in a way that I could never understand.
A
G

One time, in St. Louis,
C
D

we were playing one of the songs
G
D

that Robert liked to play with
G
A
G

someone once in a great while.
D

Come on in my kitchen.
G
D

He was playing very slow
G
D

and passionately.
G

And when we had quit,

I noticed no one was saying anything.
D
G
D

And I realized they were crying,
A
G
D
G

both women and men.
D

Asus4
D
A

You better come on in my kitchen.
D
A
D

It's going to be raining outdoors
G
D
A
D
G
A

You better come on in my kitchen
D
G
A

It's going to be raining outdoors
D
C
G
D


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  • Am

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  • Asus4

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  • B

    2

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