Kunci: F major
Verse 1
when I was a knee -pants.
G
Cm
My mama done told me, son,
Dm
F
a woman'll sweet -talk
Dm
G
and give you the big eye.
Bm
D
A
D
Ebdim
But when the sweet talking's done,
B
Em
a wo man's a two -faced,
A
who'll leave you to sing the blues
D
Asus4
D
A
in the night?
D
Dm
Now the rain is fallin',
hear the train a -callin', hoo -wee
G
Dm
hear that lonesome whistle
Bb
A
Blowin' cross the trestle, hoo -wee
Asus4
G
hoo -wee to hoo -wee
Asus4
Bb
A
Oh, clickety -clack is echoing back
Dm
D
Asus4
D
The blues in the night
Dm
G
The evening breeze will start
Bb
A
The trees to cryin'
F
Fm
Fdim
And the moon will hide its light
E
B
Cm
B
E
When you get the blues
D
E
Em
Asus4
A
in the night
G
Bb
A
Take my word, the mockingbird will sing
F
Fm
Fdim
the saddest kind of song
E
Cm
B
E
He knows things are wrong,
D
E
Em
an d he's right
Asus4
A
D
From Natchez to Moby,
from Memphis to St. Joe
wherever the four winds blow
F#dim
F
Ab
F
I've been
G
and heard me some big talk
D
Bm
but there is one thing
D
Ebdim
B
Em
I know a woman's a two -faced
A
who leave you to sing the
D
Em
Asus4
blues in the
C
B
Em
Asus4
My, my mama was right
A
F
Dm
D
G
There's blues in the night
Abdim
Asus4
A
D
Buddy Rich going all out
on one of his unique song stylings,
Blues in the Night.
And now let's focus the spotlight
on another talented vocalist.
Only this one is a charmer,
pretty, petite and perky, Peggy King.
Greetings, everybody.
Hi, Jimmy. Hi, Harry.
Gee, Harry,
that golden trumpet of yours
is really all shined up.
Almost hurts my eyes to look at it.
What's up?
Well, I figured if you were going to sing
Swing Low, Sweet Chariot,
the least I could do would be to get the old
horn in respectable shape.
You all set and raring to go?
Let us do the song.
Okay, Peg.
Take over the hall.
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PenyetemE A D G B E
AkorD G Cm Dm F...
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