Kunci Gitar Expectations 
Belle & Sebastian 
Key: B minor•
Intro 1
Bm
F#
Bm
F#
Bm
F#
Bm
F#
Bm
F#
Bm
F#
Verse 1
Bm
Monday morning wake up
F#
knowing that you've got to go to school
Bm
Tell your mum what to ex_ pect,
F#
she says it's right out of the blue
Bm
Do you went to work in Debenham's, because
F#
that's what they ex_ pect
Start in Lingerie,
Bm
G
and Doris is your su_ pervisor
D
A
G
Verse 2
F#
Bm
And the head said that you al_
F#
ways were a queer one from the start
Bm
For careers you say you went to be
F#
remembered for your art
Bm
Your obsessions get you known throughout
F#
the school for being strange
Bm
Making life-size models models of
G
D
the Velvet Underground in clay
A
G
Verse 3
F#
Bm
In the queue for lunch they take the piss,
F#
you've got no appet_ ite
Bm
And the rumour is you nev_ er
F#
go with boys and you are tight
Bm
So they jab you with a fork,
F#
you drop the tray and go ber_ serk
Bm
While your cleaning up the mess the teacher's
G
D
A
looking up your skirt
Verse 4
G
You've been used,
D
A
G
D
you're con_ fused
A
Write a song,
G
I'll sing along
Are you calm? Settle down
F#
Soon you will know that you are sane
G
You're on
Verse 5
F#
Bm
F#
top of the world again
Bm
F#
Bm
F#
Bm
G
D
A
G
F#
Bm
Monday morning wake up knowing
F#
that you've got to go to school
Bm
F#
Mum said she had little choice when she was young,
so why should you?
Bm
Do you went to work in C&A, 'cause
Verse 6
that's what they expect
F#
Bm
Move to Ladieswear and take a feel
G
D
A
G
F#
off Joe the Store_ man
Bm
Tell Veronica the secrets of
F#
the boy you never kissed
Bm
She's got everything to gain 'cause
F#
she's a fat girl with a lis_ p
Bm
She sticks up for you when you get
F#
aggravation from the snob_ s
Verse 7
Bm
'Cause you can't afford a blazer and
G
D
A
G
F#
you're always wearing clogs
Bm
At the interval you lock yourself
F#
away inside a room
Heed of English gets you,
Bm
F#
asks you, "What the Hell do you think you're doing?"
Bm
"Do you think you're better then
Verse 8
the other kids? Well get out_ side."
F#
Bm
G
You've got permission, but you've got to make the bas_ tard think
D
A
he's right
Outro 1
G
D
A
G
D
A
G
F#
G
D
A
G
D
A
G
D
A
G
F#
G
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