Kunci: D minor•
Intro 1
Dm
F
Bb
F
Verse 1
Bb
holes of the well- to- do
Precisely
Bb
F
Our heroine's style
We're glad you noticed
Gm
Bb
The shooting
Verse 2
Bb
Gm
the upper- class
Give her an inch
F
Aren't supporting a single ass
Bb
F
That would rise for the girl
She'll take a mile
Verse 3
Dm
Such a shame she wandered
Dm
How unfortunate this person
F
has forced us to be blunt
Am
seeing her at Harrod's
Bb
But behind the jewelry counter,
not in front
F
Verse 4
F
Bb
Could there be in our fighting corps
F
Bb
A lack of enthusiasm for
Verse 5
F
Bb
Should you wish to cause great distress
F
Bb
In the tidiest officer's mess
That isn't funny
Verse 6
breaking every taboo
E
D
E
Installing a girl in the army H.Q.
Dm
And she's an actress, the last straw
Her only good parts are
between her thighs
E
D
She should stare at the ceiling,
E
Dm
not reach for the skies
Or she could be his last whore
Verse 7
C
G
Gm
The evidence suggests
G
F
Bb
F
She has other interests
C
Gm
Bb
If it's her who's using him
Gm
Bb
He's exceptionally dim
Bb
Dm
D
Dm
Bitch! Dangerous Jade
Verse 8
Bb
F
Dm
We have allowed ourselves to slip
Bb
Dm
We have completely lost our grip
Bb
Dm
Bb
Dm
We have declined to an all- time low
Bb
Dm
Tarts have become the set to know
Verse 9
only a radio star with just
one weekly show
But speaking as one of the people
I want you to know
D
E
We are tired of the decline of Argentina
G
A
With no sign of a government able to
Dm
B
give us the things we deserve
Verse 10
no crime for officers
to do as they please
E
D
As long as they're discreet
Dm
and keep clear of disease
We ignore, we disregard
But once they allow a bit on the side
E
D
To move to the center where
E
Dm
she's not qualified
We are forced to mark his card
Verse 11
C
Gm
She should get into her head
Dm
G
F
Dm
She should not get out of bed
Gm
Dm
Gm
she's not paid
F
To be loud but to be laid
Dm
D
Dm
Slut! Dangerous Jade
Verse 12
Gm
Dm
Eb
This has really been your year, Miss Duarte
Bb
Gm
D
Gm
Tell us where you go from here,
Miss Duarte
Cm
C
D
Which are the roles that
D
G
Whom did you sleep,
G
D
Acting
Verse 13
D
G
the line's not mine
D
G
D
That's no help to the Argentine
Verse 14
G
Dm
Can we assume then that you'll quit?
D
Dm
Is this because of your involvement
Verse 15
with Colonel Peron?
Dm
Gm
Dm
Goodnight and thank you
She won't be kept happy by
her nights on the tiles
Dm
but she's after his files
So get back on to the street
Verse 16
C
She should get into her head
G
F
She should not get out of bed
C
She should know that she's not paid
Gm
To be loud but to be laid
C
If it's her who's using him
Gm
He's exceptionally dim
Verse 17
Things have reached a pretty pass
When someone pretty lower- class
Graceless and vulgar, uninspired
Can be accepted and admired
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